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It was very much in the same vein as some of its contemporaries, with a cast of attractive young kids, although it was set apart somewhat by its pretty New England surroundings. And James Van Der Beek of course remains a total dreamboat to this day. The Adventures of Brisco County, Jr. A bit of a blowhard and a paper tiger, Martin is a funny guy who likes to act tough, but is secretly a softy on the inside, a characteristic only rarely seen by his more serious, long-suffering girlfriend, Gina. The show had a bit of an odd conclusion, as a sexual harassment lawsuit from Tisha Campbell resulted in her being absent through a good portion of the final season.

You can sum it up in one short sentence: A pair of brothers live in Nantucket and operate a small, one-plane airline. In the vein of Cheers it was produced by the same people , the stories revolve around the colorful cast of characters who hang around the airport, such as cellist Helen Hackett or Italian-American stereotype Antonio V. Scarpacci, amusingly played by Tony Shalhoub. The brothers, Joe and Brian Hackett, basically have the classic Abbott and Costello dynamic going, with Tim Daly playing the straight man and Steven Weber playing his free-wheeling, womanizing foil.

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It offered a little something for everyone—kids liked the silly voices and characters of Joey, women liked the beefcake that was John Stamos, and families liked the cute kids, especially Michelle, who was turned into a marketing empire by Mary-Kate and Ashley Olsen. The single biggest heel turn in history took place July 6, when Hulk Hogan did the unthinkable and became a villain, forming the New World Order in WCW and ushering in several of the most exciting, over-the-top and influential years the wrestling world has ever seen.

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Scheider was particularly unhappy about the direction the show was heading and stepped down before the third season, which was oddly set 10 years further into the future. This syndicated show was some truly excellent TV comfort food—put it on in the background and devote roughly 25 percent of your attention to it while doing something more important.

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Plots were minimalistic, but the action was cheesy and fun, although somehow still less over the top than say, Walker, Texas Ranger. Check your brain at the door and let 30 minutes roll by. As a Saturday morning cartoon it was only mildly successful before blossoming into a cult hit on Comedy Central re-runs. The subsequent live-action series returned to Fox but ran for only nine episodes, proving that The Tick was probably best left to a more colorful atmosphere. Coach Years: The s seemed to be just jam-packed full of sitcoms like Coach , these genial programs about harried parents dealing with kids and family life, only defined by their unique locations.

Nelson, as later evidenced by The Incredibles , was pretty much born to be the harried father.

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Like any of these shows, you had yourself a few goofball comic relief characters who existed just to give out-of-nowhere monologues like this one. Dinosaurs Years: Dinosaurs was a truly bizarre concept, a puppet show about anthropomorphic dino-humans in flannel, living a Flintstones -type existence in lower-middle class suburbia. I mean, just look at the absurdity of the fourth wall-breaking going on here. But still, genocide is a rough way to end a sitcom. Frizzle has what, eight or nine kids in her class, tops, right? Is it safe to assume that all the other students were say, eaten by dinosaurs while time traveling or absorbed by white blood cells while fighting viruses inside Ralphie?

I just found myself wondering if their parents ever had to sign any permission slips for their children to be exploring deep space or the interior of an active volcano. A rather brilliant parody of both late-night TV talk shows and radio programs in the vein of Coast to Coast A. A rare example of a series that carried out the exact number of seasons five it initially planned, it was as such well-planned from the start and featured deep continuity. Compared to the various Star Trek series of the decade, it most closely resembled Deep Space Nine , which aired its pilot only weeks before Babylon 5 debuted.

Unsurprisingly, there were myriad accusations out there of which show had the more original idea, but despite lacking the prestige of the Star Trek name, Babylon 5 more than managed to hold its own. Katz is a pretty lazy one—a crudely drawn psychiatrist listens to a procession of stand-up comedians do their typical material and offers his professional opinion.

Katz ends up being fleshed out pretty well as a stressed but well-intentioned guy who is legitimately trying to help his patients. Most importantly, the show gave early exposure to plenty of significant comedians, including Louie C. Voyager has a particularly cool initial premise—after a freak accident, the ship is stranded 75, light years from home, and even with access to warp drive, its crew is facing an estimated year trip to friendly space.

This essentially gave the writers a blank check to embrace any part of the Star Trek mythos they wanted, because any time a new alien species was introduced it was always simply a denizen of the uncharted space lanes where they were traveling. Likewise, there was always a driving plot point available in their quest to get home—how will the crew try to shorten the journey or take a short cut this week? Unlike so many other Star Trek series that were about exploration, this one was the inverse—exploration gone awry. The Critic Years: Movie parody humor is a pretty narrow venue because it assumes the viewer is as big a film geek as the writers, and it was likely this that kept The Critic from more long-term success.

The show really had a lot going for it—Jon Lovitz was perfect in the role, and it was a completely fresh take on a career that few had ever put a comic spin on before. Today, the character is probably remembered for his Simpsons crossover as much as anything, but for a few years The Critic was as funny as anything on TV. Stargate SG-1 Years: The Stargate movie was really a perfect choice to spin off into a sci-fi series because the Stargate itself is quite the piece of deus ex machina—it can transport people all over the galaxy to different planets, so there was always somewhere new and strange to visit, even over the course of 10 seasons and episodes.

It received an absurd 83 Emmy nominations throughout its run, and each of the four main stars won an individual Emmy, making it one of only three sitcoms to achieve that feat. Saved by the Bell Years: The definitive high school sitcom of the early s, Saved by the Bell reflects the day-glo colors of the era perfectly. As a central character, Zack Morris is like a slightly preppier version of Ferris Bueller, a schemer and philanderer with no shortage of friends.

Slater or weirdo geek Screech Powers. One of the nice things about Saved by the Bell is that it felt like a truly ensemble comedy—everybody got their little moments to shine with regularity, except perhaps for Tiffani Amber Thiessen, who was mostly there to be the archetypal idea of hotness. Its fatalism was deep, dark and often hilarious, and one got the sense that few shows have ever actually captured the zeitgeist of their subjects more accurately.

Running back to back with Murphy Brown for CBS during much of its run, it was thematically similar in its strong, opinionated female characters.

Lucy Lawless was the main reason why, a certifiable badass with an awesome, chakram-like weapon that seemed to delight in defying every known law of motion. Animaniacs Years: Animaniacs is unlike anything that came before or has really come again since, a series that truly blended sophomoric, silly humor with surprising wit and even some educational aspects.

Also remembered for giving birth to Pinky and the Brain as supporting characters, Animaniacs functioned as a sketch show of sorts, with segments that touched on the legacy of cartooning, reveled in slapstick violence or were simply absurd for the sake of absurd—it was hard to ever know what you were going to get. The songs are the undeniable highlight, startlingly brilliant in their conception and performed with deftness by all three voice actors.

You gotta love the dual references to The Twilight Zone and its film adaptation that Shatner and Lithgow share in this scene.

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Beverly Hills, Years: Between and its spin-off Melrose Place , the primetime soap opera exploded in a big way in the s. This one was about a family of Minnesota transplants arriving in Beverly Hills and the West Coast culture shock they especially the kids receive upon arriving in high school. Rather, he was simply intended to be a one-time appearance as a nerdy kid who took Laura out on a date, but the reception was so strong that he quickly became a regular cast member.

By the end of the second season, this pastiche of nerd tropes had become possibly the most popular and quoted character on all of primetime television, and Family Matters may as well have been renamed The Urkel Show. In fact, I vividly remember people mistakenly referring to the show as Urkel. Rugrats Years: I have absolutely no idea how this show managed to soldier on for 13 years through various specials and movies, but I can confirm that in the early s, there were few things my grade school self enjoyed more than a big block of Rugrats on Nickelodeon.

The adventures of Tommy, Chuckie and the rest were dependent on some spectacular voice acting and a unique, instantly recognizable animation style full of comically exaggerated, bizarrely shaped characters. Scott Bakula plays Dr. Likewise, the body-jumping mechanic meant any number of guest stars could appear and Dr. Sam could go anywhere—he even leaps into the body of a chimpanzee in one episode.

Rather, DS9 was an advanced but static outpost where emissaries of various alien races came to congregate, trade and conduct business. The show featured the first and still only black commander-in-chief as lead protagonist and was noted for the diversity of its alien cast and their well-defined characters.

Dombey and Son Charles Dickens, The Sense of an Ending Julian Barnes, The Passion Jeanette Winterson, Decline and Fall Evelyn Waugh, Remainder Tom McCarthy, The Wind in the Willows Kenneth Grahame, The End of the Affair Graham Greene, Moll Flanders Daniel Defoe, Brick Lane Monica Ali, Robinson Crusoe Daniel Defoe, White Teeth Zadie Smith, The Golden Notebook Doris Lessing, Jude the Obscure Thomas Hardy, Heart of Darkness Joseph Conrad, Persuasion Jane Austen, Emma Jane Austen, Remains of the Day Kazuo Ishiguro, Howards End EM Forster, The Waves Virginia Woolf, Atonement Ian McEwan, Clarissa Samuel Richardson, Nineteen Eighty-Four George Orwell, Pride and Prejudice Jane Austen, Vanity Fair William Makepeace Thackeray, 9.

Frankenstein Mary Shelley, 8. David Copperfield Charles Dickens, 7. Bleak House Charles Dickens, 5. Great Expectations Charles Dickens, 3. Dalloway Virginia Woolf, 2. To the Lighthouse Virginia Woolf, 1.


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